![]() ![]() Making of 'Mary Poppins Returns': How Rob Marshall Returned Disney's "Guarded Jewel" to the Big Screen The elegant integration of physical London locations with studio sets and CG elements allows for bustling markets and cobblestone streets cloaked in fog - the setting is the pre-war 1930s, during the period the Brits referred to as “The Great Slump.” And naturally, there are vibrant fantasy detours like a deep-sea bathtime frolic or an excursion into the park - one of many sequences that directly echo the earlier film - in which the flesh-and-blood characters are immersed in the gorgeous pastels of a hand-drawn, 2D animated world with talking animals. Marshall reteams with cinematographer Dion Beebe, a frequent collaborator, to give Mary Poppins Returns a sumptuous widescreen sheen, but the most indispensable craft contributions come from production designer John Myhre and costumer Sandy Powell. But there’s as much here to engage young audiences unfamiliar with the property’s history as old-timers for whom it holds a special place among childhood memories. In a classy touch that provides early evidence of how seriously the creative team takes the heritage of their source material, the opening titles unspool over oil paintings of London inspired by the work of celebrated Disney artist Peter Ellenshaw. At 130 minutes, it might be a tad too long to stop the littlest kids from fidgeting, but then Mary Poppins was even longer, and that never hurt its popularity. All that should make this a winning family entry for the holidays and a repeat-viewing favorite for years to come. Its old-fashioned, honest sentimentality plasters a smile across your face and plants a tear in your eye, often simultaneously. Whether it’s exploding into large-scale production numbers or closing in on intimate scenes of a family in crisis, the sequel captivates by adopting a time-honored Disney formula that combines the joy and imagination of childhood with an underlay of melancholy. Ideally cast from top to toe, and graced by tuneful songs from Marc Shaiman and Scott Wittman that genuflect to the invaluable contributions of the Sherman Brothers on Mary Poppins, this is a charmer only cynics could resist. Sticking close to the enduring classic’s template while injecting plenty of freshness to give the follow-up its own distinct repro vitality, this lovingly crafted production delivers both nostalgia and novelty. ![]() This film comes recommended time and time again, one of the great features of owning the 40th Anniversary Edition DVD that has a beautifully restored image and lovely bonus features such as a "making of" documentary, original theatrical trailers and vintage footage from the premiere.Belated Hollywood sequels have sunk more often than soared in recent years, but Disney shrugs off those odds with Mary Poppins Returns, an enchanting movie musical that picks up the threads of the studio’s cherished original more than half a century after its 1964 release. Yet adults will also be able to unlock the endearing layers of the story, which are simultaneously simple and complex and thoroughly beautiful. ![]() Just as their kids will, they will love the songs, be blown away by the novelty animated segment and will marvel at the special effects, which hold up even in today's CGI obsessed world. The film isn't a dirty picture and will delight the little ones, yet underneath this, there is something for adults to obtain. Everybody has seen this movie, but I'll review it anyway it is a bona-fide classic, not because it is an old film, but because it has endured. She works wonders on the family, in particular taking the children on a number of adventures with Bert (Dick van Dyke), the local Jack-of-all-trades. ![]() The parents (David Tomlinson and Glynnis Johns) don't take much notice of their children Jane and Michael, and it is only until a mysterious woman named Mary Poppins (Julie Andrews) appears from the sky that things begin to change. Travers, "Mary Poppins" tells the story of the Banks family, who are live in Edwardian London. ![]()
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